“Heartfelt, filled with humanity,” this novel about an open adoption gone wrong reveals “the different forms of family bonds . . . [A] joy to read.” —Elizabeth Strout, Pulitzer Prize–winning author of Amy and Isabelle and Olive KitteridgeSara is sixteen and pregnant. Her once-devoted boyfriend seems to have disappeared, so she decides her best and only option is an open adoption with George and Eva, a couple desperate for a child. After the birth it’s clear Sara has a bond with the child that Eva can’t seem to duplicate. When it seems that Sara cannot let go, Eva and George make a drastic decision, with devastating consequences for all of them.“Caroline Leavitt’s writing is so fluid, her characters so well realized, I found myself reading Girls In Trouble nearly until the sun came up. When I was finished I felt as though I had made a new friend, and had stayed up all night listening to her stories.” —Pam Houston, award-winning author of Cowboys are My Weakness“The characters in Girls in Trouble are blazingly knowable, and it is Leavitt’s sympathy that gives her novel both its page-turning momentum and its dignity.” —Washington Post“In this wrenching exploration of parent-child relationships, Leavitt captures the tensions and rhythms of family attachments. . . . Ripe for movie adaptation, this will appeal to fans of Jacqueline Mitchard’s novels.” —Booklist“An unflinching depiction of maternal need and the dynamics of adoption.” —Publishers Weekly“Utterly engrossing and richly satisfying.” —Margot Livesey, New York Times–bestselling author of The Boy in the Field

From the bestselling author of The Chilbury Ladies’ Choir comes an unforgettable novel of a BBC-sponsored wartime cooking competition and the four women who enter for a chance to better their lives.NAMED ONE OF THE BEST BOOKS OF THE YEAR BY GOOD HOUSEKEEPING • “This story had me so hooked, I literally couldn’t put it down.”—NPRTwo years into World War II, Britain is feeling her losses: The Nazis have won battles, the Blitz has destroyed cities, and U-boats have cut off the supply of food. In an effort to help housewives with food rationing, a BBC radio program called The Kitchen Front is holding a cooking contest—and the grand prize is a job as the program’s first-ever female co-host. For four very different women, winning the competition would present a crucial chance to change their lives. For a young widow, it’s a chance to pay off her husband’s debts and keep a roof over her children’s heads. For a kitchen maid, it’s a chance to leave servitude and find freedom. For a lady of the manor, it’s a chance to escape her wealthy husband’s increasingly hostile behavior. And for a trained chef, it’s a chance to challenge the men at the top of her profession. These four women are giving the competition their all—even if that sometimes means bending the rules. But with so much at stake, will the contest that aims to bring the community together only serve to break it apart?

A “sweet tale about creating the family you need” (People) that explores the trials of losing what matters most—and how there’s always more than we can imagine left to find—from the New York Times bestselling author of The Bodyguard and The Rom-Commers.Now a major motion picture starring Leslie Bibb and Josh Duhamel Dear Libby, It occurs to me that you and your two children have been living with your mother for—Dear Lord!—two whole years, and I’m writing to see if you'd like to be rescued. The letter comes out of the blue, and just in time for Libby Moran, who—after the sudden death of her husband, Danny—went to stay with her hypercritical mother. Now her crazy Aunt Jean has offered Libby an escape: a job and a place to live on her farm in the Texas Hill Country. Before she can talk herself out of it, Libby is packing the minivan, grabbing the kids, and hitting the road. Life on Aunt Jean’s goat farm is both more wonderful and more mysterious than Libby could have imagined. Beyond the animals and the strenuous work, there is quiet—deep, country quiet. But there is also a shaggy, gruff (though purportedly handsome, under all that hair) farm manager with a tragic home life, a formerly famous feed-store clerk who claims she can contact Danny “on the other side,” and the eccentric aunt Libby never really knew but who turns out to be exactly what she’s been looking for. And despite everything she’s lost, Libby soon realizes how much more she’s found. She hasn’t just traded one kind of crazy for another: She may actually have found the place to bring her little family—and herself—back to life.

Overwhelmed by the neighborly attentions of the cheerful and vivacious “girl next door,” a man burned by love finds his passions reigniting in #1 New York Times bestselling author Nora Roberts’s First Impressions. Entrepreneur Vance Banning took a residence in rural Maryland to escape business pressures—and relationships with women pursuing his bank account. To the community, he’s a moody, out-of-work carpenter with a chip on his shoulder. To next door neighbor Shane Abbott, he’s just a man who needs a little kindness in his life. Vance’s suspicions of the stunning beauty’s intense interest in him start to fade when he realizes Shane’s compassion is honest and joyful—giving his heart permission to experience true love.

"Beautiful." —Sarah Jessica Parker"The best thing you'll read this year." —Kiley Reid, author of Such a Fun AgeA raw, tenderly comic, and perfectly off-kilter novel about a woman who occasionally finds herself in "The Pit”—a delirious state of semiconsciousness—and the improbable, sometimes imagined people who meet her there.Vita Woods is on the brink. She produces a popular podcast and lives with her successful doctor boyfriend, Max, with whom the sex is great and the future promising. Her brilliant if unreliable sister, Gracie, is her best friend and sparring partner. And her steadfast goldfish, Whitney Houston, brightens even her dimmest days. But as much as things are going right, the days are dark. Vita is not leaving the house. In fact, she can barely make it out of bed.Instead, she spends long, blurred hours falling in and out of The Pit, dead to the world and to herself. For months, Vita has been sick with an illness that no doctor, not even Max, can diagnose. And recently, Luigi, a Renaissance poet nursing a 500-year-old heartbreak, has started showing up at her bedside, bringing snacks and unsolicited romantic advice. He says he’s come to release her. The issue is: he may be a ghost, an apparition of her sickly mind.Then, when an unexpected mix-up pushes her into the path of her upstairs neighbors, Vita finds friendship—and perhaps more—in the apartment above. But something about her "condition" keeps nagging at her. What if the problem is Vita herself? Because as far as anyone can prove . . . there’s nothing wrong with her.

“A rich family saga about art and memory's power to inform the present, make peace with the past, and maybe even alter the future.” — Celeste Ng, New York Times bestselling author of Our Missing Hearts “[Asha] Thanki reinvents generational memory, conjuring inheritance as a tapestry of love, trauma, and choices that echo through blood. A profoundly tender and complex debut that I didn't want to put down." — Sequoia Nagamatsu, bestselling author of How High We Go in the DarkA heartrending family saga following three generations of women connected by a fantastic tapestry through which they inherit the experiences of those that lived before them, sweeping readers from Partition-era India to modern day Brooklyn.Ayukta is finally sitting down with her wife Nadya to respond to a question she’s long avoided: Should they have a child? The decision is complicated by a secret her family has kept for centuries, one that Ayukta will be the first to share with someone outside their bloodline: the women in her family inherit a mysterious tapestry, through which each generation can experience the memories of those who came before her.Ayukta invites Nadya into this lineage, carrying her through its past. She relives her grandmother Amla’s life: Once a happy child in Karachi, Amla migrates to Gujarat during Partition, witnessing violence and loss that forever shape her approach to marriage and motherhood. Amla’s daughter, Arni, bears this weight in her own blood in 1974, when gender equity and urban class distinctions divide the community as a bold student movement takes hold. As Ayukta unspools these generations of women—whole decades of love, loss, heartbreak, and revival—she reveals the tapestry’s second gift: the ability for each of these women to dramatically reshape their own worlds. Like all power, both fantastic and societal, this inheritance is more treacherous than it seems.What would it mean, to impart an impossible burden? To withhold these incredible gifts?Sweeping, deeply felt and intergenerational, A Thousand Times Before is a debut as poetic as it is propulsive, as healing as it is heartbreaking, as it examines what it means to carry our past with us and to pass it on. Rooted in a tender love story, and spun with a tremendous amount of care, this book is a rare, remarkable feat from an incredible new literary talent.